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HATO Kosuke

Academic OrganizationAcademic Assembly School of Science and Technology Institute of EngineeringTEL
Education and Research OrganizationFaculty of Engineering Department of ArchitectureFAX
PositionAssociate ProfessorMail
Address4-17-1, Wakasato, Nagano City 380-8553Web site


Research Field
Architectural history/Design
Current Subject
Study on the architectural works and the writings by architects
Keywords:Seiiti Sirai , Theory of tradition , Tatami room
Academic Background
Graduate School



Books, Articles, etc.
中央公論美術出版 2021(Jan. 25)

The Theory of Tradition in the Written Works of Architect Seiichi Shirai
Japan Architectural Review,2(4):554-561 2019(Oct.)
Author:Kosuke Hato

デザイン理論 = Journal of the Japan Society of Design,(74):67-80 2019(Aug.)
Author:羽藤 広輔;Hato Kosuke;ハトウ コウスケ

デザイン理論,(73):82-83 2019(Jan. 21)
Author:羽藤 広輔
Abstract:大会研究発表要旨第60回大会 2018年8月8日~9日 同志社大学

1950年代伝統論争における和風建築批判と反論 : 吉田五十八の事例に着目して
デザイン理論,70:35-48 2017(Jul. 31)
Author:羽藤 広輔; Hato Kosuke; ハトウ コウスケ;
Keywords:設計要旨; 吉田五十八; 和風建築; 伝統論争;

白井晟一の木造住宅にみる付柱の意匠について : 「雲伴居」書斎の構想過程に着目して
日本インテリア学会論文報告集,(27):43-46 2017(Mar.)
Author:羽藤 広輔;
Keywords:白井晟一; 木造住宅; 雲伴居; 付柱; スケッチ; Seiichi Shirai; Wooden house; Un-Pan-Kyo; Pilaster; Sketch;

白井晟一の活動における建築作品をめぐる言説と伝統論の関連について : 作品説明文に着目して
日本建築学会計画系論文集,81(730):2841-2847 2016(Dec.)
Author:羽藤 広輔;
Keywords:Seiichi Shirai; Theory of tradition; Description of works; 白井晟一; 伝統論; 作品説明文;

白井晟一住宅作品における床の間の意匠について : 真行草の観点による同時代建築家作品との比較から
日本インテリア学会論文報告集,(26):57-62 2016(Mar.)
Author:羽藤 広輔;
Keywords:白井晟一; 床の間; 真行草; Seiiti Shirai; Tokonoma; Shin-Gyo-So;

日本建築学会計画系論文集,81(719):179-186 2016
Author:羽藤 広輔;
Abstract: While Seiiti Sirai was an architect, he spent a lot of time practicing calligraphy in his last years. Comparing the features of this activity with his theory of tradition, it can be said that both of his intentions are similar. In addition to the commonality of attaching importance to "utility," according to the theory of tradition, the concept of grasping the inner potential of an object without being misled by its external form and source, can be realized by the "ascetic practices," which can make something exceed consciousness and form by practicing calligraphy.
Keywords:白井晟一; 習書; 伝統論;

白井晟一建築作品の和室における空間構成について : 天井の形状に着目して
デザイン理論 = Journal of the Japan Society of Design,(66):45-58 2015
Author:羽藤 広輔;
Keywords:白井晟一; 和室; 和風; 天井; 空間構成; Seiiti Sirai; Tatami room; Japanese style; Ceiling; Spatial composition;

日本建築学会計画系論文集,80(712):1411-1418 2015
Author:羽藤 広輔;
Abstract: The aim of Sirai's essay, "The Jomon style", was not to admire the Jomon culture, but to consider how to grab the inner potential of the object without being misled by its external form. His theory of tradition subsequently developed into the "theory of expansive tradition". He objected to confining the argument over tradition to Japan and set out to consider the concept from a universal point of view. He gave shape to it and proposed a new concept, the "Eurasian style".
Keywords:白井晟一; 伝統論; 縄文的なるもの;

「雲伴居」にみる白井晟一の伝統的様式への姿勢 : 桂離宮の影響に着目して
デザイン理論 = Journal of the Japan Society of Design,(64):51-64 2014
Author:羽藤 広輔;
Keywords:白井晟一; 雲伴居; 桂離宮; 付書院; Seiiti Sirai; Un-Pan-Kyo; Katsura-Rikyu; Tsuke-Shoin;

東京藝術大学美術学部紀要,(51):31-45 2013(Dec.)
Author:羽藤 広輔;

白井晟一住宅作品における床の間の意匠について : 同時代の建築家による事例との比較から
人間・環境学,22:93-107 2013
Author:羽藤 広輔;

Research Grants
Grants‐in‐aid for Scientific Research(Research Representative)
2012 - 2014 , 書と建築:建築家白井晟一の事例を中心に , 挑戦的萌芽